Chérie: A dazzling meditation on time and change
Cross-posted from The Huffington Post From the opening frames of Chérie , the viewer is drawn into an opulent, decadent world, at once foreign and familiar to those who have mixed with the denizens of high society in our own time. But the depiction of that world in director Stephen Frears' tour de force is no simple condemnation nor exaltation: the charms and moral ambiguities of France's Belle Epoch co-exist in this rendering of a gilded age at its apogee, most completely in the glowing figure of Michelle Pfeiffer as Léa de Lonval, an exquisite courtesan about to age out of her profession. At its core, Chérie is a movie about time and the constancy of change -- a theme that could be esoteric and depressing, were it not for the stunning visual and aural landscape the filmmakers grant us, the stylized repartee that screenwriter Christopher Hampton draws from Colette's celebrated novel, and Pfeiffer's grounded, sexy and elegant rendering of the woman at the center of ...